EBSCO Open Dissertations now includes the content from American Doctoral Dissertations. It is a free database with records for more than million electronic theses and dissertations from more than universities around the world At its core the seminal ProQuest Dissertations & Theses Database (PQDT), a resource like no other. PQDT is a repository of 5 million works that the world’s universities contribute to each year, creating an ever-growing resource of emerging research to fuel innovation and new insights PhD THESIS ABSTRACT Scientific adviser, Prof. Emanoil MUSCALU PhD PhD candidate, Silvana Nicoleta MUNTEAN Sibiu, 2 „Lucian Blaga” University of Sibiu PhD thesis title: STREAMLINING HUMAN RESOURCE MANAGEMENT IN ORDER TO INCREASE THE PERFORMANCE OF NATIONAL AND MULTINATIONAL ORGANIZATIONS Scientific adviser,Missing: online
Dissertation Abstracts | Institute for Doctoral Studies in the Visual Arts — IDSVA
IDSVA Dissertations are archived as electronic documents at the Maine State Library website. Click on the title of the dissertation to download the pdf.
Click on the title of the dissertation when available to download the pdf. Awarded to one graduate each year, The Ted Coons Dissertation Prize was established in to acknowledge outstanding IDSVA dissertations. It was made possible thanks to a generous donation by Dr.
Ted Coons is a pioneer in the field of neuroscience and a major contributor to early studies in neuroaesthetics. Jason M. Although much has been written on the phenomena and aesthetics of the sublimeespecially over the past thirty-five years, I argue that a further interrogation is needed. I address several epistemological and ontological problems inherent in understanding the sublime, as has been widely postulated both in and outside the work of art.
While employing a method of dialectic in this project, my critique of ancient, modern, and postmodern theses of sublimity postulate new insights into concepts of the sublime. I demonstrate that the theses of the sublime are burdened by several not-insignificant epistemological and ontological problems, which reveal both incoherences and contradictions. Finally, I argue that to promote a coherent theory of the sublime is, in the end, absurd, by virtue of the fact that sublimity can be neither a coherently understood object of experience, nor anything short of an epistemological contradiction.
I propose in response what I call the empty-sublimeand then turn to twentieth-century American artists Robert Rauschenberg and Agnes Martin, and the contemporary German artist Wolfgang Laib, whom I argue are examples of its authentic aesthetic praxis. A Critical Phenomenology Of Violence: At the Intersection of the Ontic and the Ontological in the Gaze and the Reimage of Violence Director: Dr.
Sigrid Hackenberg. I argue that rationales of thought associated with cultural violence and its images of the social world—both mental and tangible—link back to phd dissertation abstracts online ontological of time underneath each human beingwhere the conditions of language alter both consciousnesses and meanings behind the phenomenal dimensions of violence, appearance, being, and image.
These alterations accompany violence into its reimaging, where an inaudible consciousness awaits each spectator. My focus here is phenomenological, but not in the strict Husserlian sense. Rather, I take other discourses and their methodologies to the borders of this centering.
Phd dissertation abstracts online an intertextual latitude of subsets, I define the meaning of a critical phenomenology of violence phd dissertation abstracts online its paradoxical sense, interrogating past and current thinkers across a wide spectrum within a Merleau-Pontian and Arendtian arch. Finally, phd dissertation abstracts online, the Nancian ontic text-image signals Arendtian insight on deceptive metaphors that expose facets in the blow of violence, phd dissertation abstracts online.
By the end, this study demonstrates that phenomena stay within their operations, but the power of the human will alternately recognizes or negates the authenticity behind the phenomenon of violence, while events remain actively, quietly at work in cyclical patterns of phd dissertation abstracts online and phd dissertation abstracts online, placing the human being in the flux of endangerment and risk from an array of social images.
Giovanna Borradori, phd dissertation abstracts online. These two materials led toward a phd dissertation abstracts online articulation of how post studio artistic methodologies — embodied by both Baldessari and Kienholz — intervened in the master narratives of modernism. I argue that the absence of a formal archive of post studio allows for such an intervention, phd dissertation abstracts online.
Scholarship generally has understood post studio practice as a methodology eschewing the studio as a space for generating art, phd dissertation abstracts online, its reliance on the political economy of the art market, and its spatialization of sovereign subjectivity. A site of resistance, with aesthetic implications, post studio offers a narrative of its own that defies the artistic conventions of modernism; including, importantly, the authorial legacies, master narratives, and the cult of originalism to which modernism was heavily invested.
These methodologies challenge postmodernity through a heretofore undocumented intervention into modernism. The Sublime: An Existential and Ontological Alliance with Mystery Director: Dr.
Ellen Phd dissertation abstracts online. This dissertation traces the phenomenon we call the sublime as it relates to the lived experience. Not fully understood, this mystery, much like human existence, phd dissertation abstracts online, obscures any possible telos. The experience of the sublime shifts our perspective and focuses our attention on our being.
The wonderings inspired by the experience of the sublime stimulates and directs our ontological viewpoint and our existential potentials. This examination intends to reveal the necessity of sublime experiences in realizing our humanity and in plotting a course for a more just future, phd dissertation abstracts online.
Tracing the genealogy of the sublime through foundational thinkers like Longinus, Burke, and Kant will establish the early interpretations of the experience. Examining the sublime through the shifting attitudes of Hegel, Heidegger, Nietzsche, Sartre, and Lacan will display a sense of uncertainty which unseated the sublime as integral to being human, phd dissertation abstracts online. Leaning upon thinkers like Rorty, Rescher, Deleuze, Guattari, and Kendall Walton, this works attempts to recover the sense of wonder inherent in experiences of the sublime.
This exploration will examine the uncertain nature of the sublime and how it can be accessed in the contemporary world. Contemporary cinema facilitates accessing the sublime in the modern world. Via our imaginations, we can, through engaging with creative and well-crafted stories, experience the sublime connections to our authentic being. Contemporary ideologies mediate interpretive associations of the sublime and create a cul-de-sac for the meanings of the experience and stifle the possibilities of the sublime.
This exploration intends to reify the reflections on the sublime and re-establish the significance of the experience as part of humanities ongoing evolution. In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group Director Dr, phd dissertation abstracts online.
Simonetta Moro. This dissertation argues that their creative activities exceeded modernist ideologies and practices of unity, purity, and autonomy; they instead embody the distinct postmodernist traits of hybridity, discord, and fragmentation.
The Democratization of Fashion: Transformations of Subjectivity and Community through the Dialogic Discourses of Dress Director Dr, phd dissertation abstracts online. George Smith. The aim of this study is to examine shifts in the discourse of aesthetic representation in Western fashion. I argue that the democratization of Western fashion has radically transformed the way subjectivity is produced and community is organized.
Through these changes, fashion has reformulated the possibilities for ways of being in the world and the ways communities are constituted, phd dissertation abstracts online. In other words, these aesthetic discourses of fashion have been and continue to be critical to the history of freedom, phd dissertation abstracts online. Focusing phd dissertation abstracts online three critical instances in the history of fashion from the eighteenth century to the present day, this project examines the fashions and work of Queen Marie Antoinette, the designer Coco Chanel, and the photographer Bill Cunningham.
I trace the way fashion has constructed the immortal body of royalty, the aristocrat, the urban bourgeois, the working person, and every-body, phd dissertation abstracts online, extended into the limitless virtual body.
I also trace authorship in fashion, moving from the invisible artisan behind the royal body to the genius couture designer, to machine-produced mass reproduction and now to infinite virtual reproduction.
I show how fashion has constituted gender and sexuality, from elevating the royal body into a holy vessel meant to continue the divine right to phd dissertation abstracts online the earthly working body of flesh, blood, sex, and pleasure.
Each of these transformations through fashion has helped to represent and recreate subjectivity in its many iterations throughout history. This project explores the ways contemporary fashion has become democratized and democracy has been an effect of fashion. Sublime Embodiment: The Phenomenological Aesthetics of a Black Liberational Spirituality Director Dr, phd dissertation abstracts online. Myron Beasley. My research is concerned with investigating how we can come to understand embodiment as consciousness through choreography, performativity, and performance.
A main point of departure for my subject is an articulation of Haitian Vodou spirit possession a phd dissertation abstracts online embodiment as a perceptual means for the recontextualization of the beautiful. The choreographic and performance work of the eight artists lead the way along with my inquiry. Martin Heidegger, Maurice Merleau-Ponty, Edmund Husserl, and Frantz Fanon offer phenomenological guideposts, while still other thinkers provide necessary grounding in areas specifically focused on temporality, spatiality, gender and spirituality.
Three points that guide my investigation of this subject matter are all shared between the artists: 1 the works testify to the power of black embodiment through performativity and aesthetics; 2 the works recognize the interplay between the sacred and the secular domains; and 3 the works maintain a legibility of an inherent spirituality functioning as an animating, illuminating, and vital creative force both conscious and ancestral.
The artists signal the viability of an embodied phd dissertation abstracts online of black subjectivity, and their works are infused with an urgency of spirit and a radicalism that demands recognition. It is, first, the centering of the black body that envisages the discourse from a place of agency rather than alterity. The ultimate goal is to decenter race as a governing principle in determining the beautiful in these works in order to turn phd dissertation abstracts online attention to a more equitable place of discovery that contests racial privileging, difference as equal.
Radical Intimacy in Contemporary Art: Abjection, Revolt, Objecthood Director Dr. Ewa Ziarek. This dissertation argues that intimacy has the capacity to operate as a radical disruption of ideological constructs, and therefore possesses political agency. Furthermore, contemporary art that employs radical intimacy may be deployed as ideological-political activism.
Grounded in the psychoanalytic-poststructuralist theories of Julia Kristeva, particularly her research on abjection, intimacy and revolt, the project examines intimacy as an ambivalence of subjectivity and borders, inside and outside. The project concludes with an introduction to object-oriented feminism, a new school of feminist praxis, grounded in the limits of subjectivity, and the radical ontology of objecthood.
This final step situates radical intimacy in contemporary art within the political arena of activist practices, demonstrating the ways that abjection, revolt and the dissolution of categories catalyzed by intimate practice, effect an ontological shift from subjectivity to objecthood. Thus, radical intimacy disrupts the modern hegemony of subjectivity, suggesting a new language phd dissertation abstracts online the contemporary philosophical era that equalizes the ontological status of humans and non-human entities, inviting new modes of ecological thinking.
Artwork as Network: A Reconceptualization of the Work of Art and its Exhibition Director Dr. Philip Armstrong. As it reshapes the world we inhabit, phd dissertation abstracts online, the concept of the network has emerged as the dominant cultural paradigm across numerous fields and disciplines.
Whether biological, social, political, global, communicational, or computational, networks are constituted by a phd dissertation abstracts online, distributed, multiplicitous, nonlinear system of nodes, plateaus, and edges that are endlessly interconnected and interdependent. As networks rapidly change our world, it is logical to assume that contemporary artistic practices are impacted as well.
In fact, works of art are uniquely situated to discover and reveal new ways of understanding social and cultural phenomena including that of the network. Several questions arise: How do contemporary works of art relate to network culture? Alternately, how do networks redefine our understanding of specific works of art? How, in turn, are these works expanding our understanding of the network?
As a way of focusing these questions, the dissertation addresses works by four contemporary artists: Franklin Evans, Simon Starling, phd dissertation abstracts online, Jenny Odell, and Pablo Helguera. Based on close art historical analysis, I argue that instead of depicting, illustrating or referring to networks as context, the works discussed are constituted or composed in and as networks.
They are dynamic relational forms in which the work of art and the network are rendered indissociable from one another. Spiritual Capital: The Economic Core of the Global Art Market and its Origin in Church Financial Structures Director Dr. Organized religion in the Western Hemisphere and the art world share more than just a shared history of collaboration. Their most significant bond is an economic narrative powered by spiritual capital which produces aura. I contend that religion, specifically Christianity, and the art world share an economy of spiritual capital delivered through aura.
Aura in a work of art is not an inherent property of the work itself, but it is manufactured by the art economy which draws its influence from the early formation of the Christian Church. This system involves a number of qualifying factors which I will isolate and investigate through this dissertation. Specifically, both religious and art economies: acquire physical space; establish a structure of cooperative agents; use an exclusive language which produces a discourse of disavowal that denies active participation in a consumer driven economy; and deploy ceremonial symbols of power during ritual events.
Additionally, the placement of money within this assembly of practices and practitioners will be presented as an original element inside the art world. In coordination with such theorists as Deleuze and Guattari, Bordieu, Marx, Weber, Agamben, Baudrillard, Massumi, phd dissertation abstracts online, Bourriaud, and others, we can understand the historical trajectory and phd dissertation abstracts online of spiritual capital as a part of the economy of art as we are liberated from the taboo of discussing money and its relationship to art and religion.
From Artworks to Artworlds: Information Efflorescence and Complex Systems Aesthetics Director Dr. Brian Massumi.
PhD thesis' introduction, abstract and conclusion: How to write them perfectly.
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At its core the seminal ProQuest Dissertations & Theses Database (PQDT), a resource like no other. PQDT is a repository of 5 million works that the world’s universities contribute to each year, creating an ever-growing resource of emerging research to fuel innovation and new insights Jun 01, · A dissertation or thesis abstract includes a brief overview of your dissertation / thesis that your future readers, as well as supervisors and examination boards will read first of all. It is a common practice applied by many colleges and universities to read thesis or dissertation abstracts first and provide certain conclusion before the whole works are scrupulously blogger.coms: 38 Jun 09, · Networked Digital Library of Theses and Dissertations. Provides free access to thousands of dissertation and thesis abstracts from universities around the world, and links to full text when freely available. PDQT Open. Proquest's portal to their Dissertations and Theses that are freely available on the web
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